Without a story, there is nothing to tell.
As a songwriter, lyricist and playwright, or as a journalist and PR consultant, I’m always looking to tell tales that touch audiences. The stories that interest me most are the ones that make people cry.
About
Hi! My name is Arnoud – that rhymes with aloud.
I love to tell stories, either through music, lyrics and dialogue in the theatre or through text, audio and video as a journalist and PR consultant. Clarity, accessibility and effectiveness are important and in my writing I strive to be easy on the ear, fresh and surprising.
Before focussing on musical theatre I worked as a financial journalist for 16 years. I needed a change, so I moved into geopolitical PR – but that didn’t give me the creative fulfilment I longed for. Whilst sitting behind my laptop on a rainy Tuesday morning, I read that Mountview Academy started an MA in Writing musicals. “That’s what I want to do!”, was my first thought. I applied and when I got accepted, I left my career and followed my passion. After being tutored by the fabulous Rob Hartmann and Jenifer Toksvig, I graduated with distinction in 2016 and I’ve been writing and composing ever since.
My work could most recently be heard and seen at:
Betty Asfalt Complex, Amsterdam (2023/2024), Open BAC, weekly closing song
The Other Palace (March 2023), Herschel Grynspan (workshop production)
Westpoint Performing Arts Centre, Auckland Music Theatre (February 2023), Brothers. Direction by Aaron Tindell, music direction by Chris Moore
ALP Musicals, Stone Nest, Shaftesbury Avenue, London (November/December 2022), Catch Me
Goldsmiths, Musical Theatre department, University of London (January - April 2022), The Strange Affair of Herschel Grynspan (workshop)
Sweater (January/February 2022), Israeli radio and all streaming platforms. Music production, orchestration and keys for a song about letting go of memories of lovers past, by Shachar Shamai.
Above the Stag (August 2021), The Strange Affair of Herschel Grynspan (work in progress). Direction by Scott Le Crass
The Royal Central School of Speech and Drama (autumn 2020), Catch Me. Two fully separate, Covid-safe, versions of the show under direction of Adam Lenson
Dronning Dorothea Teater, Michael Nielsen (July 2020), workshop Brothers in Danish translation
Theater aan de Parade, Den Bosch (May 2020), Onzichtbaar from Brothers (Dutch translation), performed by Jary Sluijter
Paradiso Noord, Dutch Radio stations 1, 2, 5 and local radio stations (August 2019 - April 2020): various songs with lyrics from Wietske Loebis (Tekst Zoekt Muziek) and Eva Zwaving
Theater De Meervaart & M-Lab (December 2019), extracts of Brothers (in Dutch)
A New Musical, fundraiser Niels van Doormalen (August 2019), CREA Theatre Amsterdam
Martian Entertainment, New York (July 2019), reading Brothers
Residence of the Dutch ambassador in London (April 2019): I got commissioned to make a new vocal arrangement of the Dutch national anthem for the official King’s Day Celebrations
Various cabaret shows in London (March – May 2018): Guts, performed by Tessa Berkelmans
Christmas single Kerst ’84 (in Dutch), various national radio stations (December 2018), lyrics by Wietske Loebis
Tristan Bates Theatre, London (June 2018) and Arts Theatre, London (May 2018) for Prelude: I Will Hold You and Invisible from Brothers and the title song from Forgive Us, Oh Father!
The Federal, Los Angeles (May 2018), for FNAM 3rd Mondays: Invisible from Brothers
Hebrew-language workshop of Brothers, Tel Aviv (April 2018), directed by Dan Kiesler
Above the Stag Theatre, London (February 2018), staged reading of Brothers
I’m currently working on various new projects but I’m always open to discuss potential new collaborations.
I adapted the multiple award-winning Dutch novel Brothers by Ted van Lieshout, a story about two brothers who deal with love, death, secrets and sexuality.
Together with Danish crime novellist Lone Theils I’m developing Grey Mouse, a story about a female master embezzler who disguises herself as a grey mouse to stay unnoticed, but leads a glamorous life when she’s out of sight. We’re also developing, MS, a story about a powerful Nordic queen.
In collaboration with Harry Style I wrote the farcical musical Forgive Us, Oh Father!, a story about a lazy priest and his unfortunate congregation. Together with Harry I’m now writing Not Dead Yet, a comedy about a retirement home.
Catch Me, a black comedy about suicide and how five friends deal with a suicide, is a show I have developed with Christian Czornyj.
I also translate lyrics and shows from Dutch and German to English.
Shows Under Development
Other projects, still in early stages of development:
Not Dead Yet – Will the inhabitants of a retirement home be able to keep their home now a property developer has set eyes on it?
Grey Mouse – Based on a true story of a civil servant who, over years, stole millions from her employer. How did she get this far?
MS – The story of a simple tradeswoman in the Middle Ages, who became one of the most powerful rulers in Northern Europe.
Balls – How does a young, vibrant guy deal with testicular cancer?
Steam – Which masks are a homeless drag queen and a member of the House of Lords, who meet casually, wearing?
Interns – A story based on real events: are politicians being seduced by their interns, or are they sexually abusing them?
Love boat – A trans-media, immersive story as part of a PR campaign for a cruise line.
Refuge – A small community is shaken when refugees arrive: there are more crimes, but also more romance.
R.E.S.P.E.C.T. – After an abusive relationship, a woman finds love, respect and herself in this upbeat jukebox show