Without a story, there is nothing to tell.

As a songwriter, lyricist and playwright, or as a journalist and PR consultant, I’m always looking to tell tales that touch audiences. The stories that interest me most are the ones that make people cry.

About

Arnoud 2-2.jpg

Hi! My name is Arnoud – that rhymes with aloud.

I love to tell stories, either through music, lyrics and dialogue in the theatre or through text, audio and video as a journalist and PR consultant. Clarity, accessibility and effectiveness are important and in my writing I strive to be easy on the ear, fresh and surprising.

Before focussing on musical theatre I worked as a financial journalist for 16 years. I needed a change, so I moved into geopolitical PR – but that didn’t give me the creative fulfilment I longed for. Whilst sitting behind my laptop on a rainy Tuesday morning, I read that Mountview Academy started an MA in Writing musicals. “That’s what I want to do!”, was my first thought. I applied and when I got accepted, I left my career and followed my passion. After being tutored by the fabulous Rob Hartmann and Jenifer Toksvig, I graduated with distinction in 2016 and I’ve been writing and composing ever since.

My work could most recently be heard and seen at:

  • Betty Asfalt Complex, Amsterdam (2023/2024), Open BAC, weekly closing song

  • The Other Palace (March 2023), Herschel Grynspan (workshop production)

  • Westpoint Performing Arts Centre, Auckland Music Theatre (February 2023), Brothers. Direction by Aaron Tindell, music direction by Chris Moore

  • ALP Musicals, Stone Nest, Shaftesbury Avenue, London (November/December 2022), Catch Me

  • Goldsmiths, Musical Theatre department, University of London (January - April 2022), The Strange Affair of Herschel Grynspan (workshop)

  • Sweater (January/February 2022), Israeli radio and all streaming platforms. Music production, orchestration and keys for a song about letting go of memories of lovers past, by Shachar Shamai.

  • Above the Stag (August 2021), The Strange Affair of Herschel Grynspan (work in progress). Direction by Scott Le Crass

  • The Royal Central School of Speech and Drama (autumn 2020), Catch Me. Two fully separate, Covid-safe, versions of the show under direction of Adam Lenson

  • Dronning Dorothea Teater, Michael Nielsen (July 2020), workshop Brothers in Danish translation

  • Theater aan de Parade, Den Bosch (May 2020), Onzichtbaar from Brothers (Dutch translation), performed by Jary Sluijter

  • Paradiso Noord, Dutch Radio stations 1, 2, 5 and local radio stations (August 2019 - April 2020): various songs with lyrics from Wietske Loebis (Tekst Zoekt Muziek) and Eva Zwaving

  • Theater De Meervaart & M-Lab (December 2019), extracts of Brothers (in Dutch)

  • A New Musical, fundraiser Niels van Doormalen (August 2019), CREA Theatre Amsterdam

  • Martian Entertainment, New York (July 2019), reading Brothers

  • Residence of the Dutch ambassador in London (April 2019): I got commissioned to make a new vocal arrangement of the Dutch national anthem for the official King’s Day Celebrations

  • Various cabaret shows in London (March – May 2018): Guts, performed by Tessa Berkelmans

  • Christmas single Kerst ’84 (in Dutch), various national radio stations (December 2018), lyrics by Wietske Loebis

  • Tristan Bates Theatre, London (June 2018) and Arts Theatre, London (May 2018) for Prelude: I Will Hold You and Invisible from Brothers and the title song from Forgive Us, Oh Father!

  • The Federal, Los Angeles (May 2018), for FNAM 3rd Mondays: Invisible from Brothers

  • Hebrew-language workshop of Brothers, Tel Aviv (April 2018), directed by Dan Kiesler

  • Above the Stag Theatre, London (February 2018), staged reading of Brothers

I’m currently working on various new projects but I’m always open to discuss potential new collaborations.

I adapted the multiple award-winning Dutch novel Brothers by Ted van Lieshout, a story about two brothers who deal with love, death, secrets and sexuality.

Together with Danish crime novellist Lone Theils I’m developing Grey Mouse, a story about a female master embezzler who disguises herself as a grey mouse to stay unnoticed, but leads a glamorous life when she’s out of sight. We’re also developing, MS, a story about a powerful Nordic queen.

In collaboration with Harry Style I wrote the farcical musical Forgive Us, Oh Father!, a story about a lazy priest and his unfortunate congregation. Together with Harry I’m now writing Not Dead Yet, a comedy about a retirement home.

Catch Me, a black comedy about suicide and how five friends deal with a suicide, is a show I have developed with Christian Czornyj.

I also translate lyrics and shows from Dutch and German to English.

Shows Under Development

 

Other projects, still in early stages of development:

  • Not Dead Yet – Will the inhabitants of a retirement home be able to keep their home now a property developer has set eyes on it?

  • Grey Mouse – Based on a true story of a civil servant who, over years, stole millions from her employer. How did she get this far?

  • MS – The story of a simple tradeswoman in the Middle Ages, who became one of the most powerful rulers in Northern Europe.

  • Balls – How does a young, vibrant guy deal with testicular cancer?

  • Steam – Which masks are a homeless drag queen and a member of the House of Lords, who meet casually, wearing?

  • Interns – A story based on real events: are politicians being seduced by their interns, or are they sexually abusing them?

  • Love boat – A trans-media, immersive story as part of a PR campaign for a cruise line.

  • Refuge – A small community is shaken when refugees arrive: there are more crimes, but also more romance.

  • R.E.S.P.E.C.T. – After an abusive relationship, a woman finds love, respect and herself in this upbeat jukebox show

 

In The Press

NOS - Dutch national broadcaster

BBC Newsnight

De Telegraaf

London News Online

Musicalsites.nl

Queen Máxima

MusicalTheatreReview.com

Theater Maker

Theater Maker